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| "Lone Ranger Crossing the Alps" by Daniel Jensen |
Daniel Jensen's "Lone Ranger Crossing the Alps" is brilliant. You might laugh at first to see the Lone Ranger and his trusty Silver featured in this work. Isn't he essentially a comic strip character? I would have thought so, but the concept behind this character, as conceived by television show writer Fran Striker, is more elevated. The Lone Ranger's "moral code" begins "I believe that to have a friend, you must be one." Click here to read his entire credo.
I am totally on board with this philosophy, but the Lone Ranger's origin story isn't what attracted me to this image. It's the way Jensen has drawn on art history and traditions in his depiction. The painting refers to Jacques Louis David's "Napoleon Crossing the Alps," which you can see by clicking here. Sure, David's painting isn't historically accurate, but that's a story for another day.
Then there's Jensen's use of gold leaf as the background. This immediately brought to mind religious paintings, but its incorporation has broader meaning. Gold leaf is associated not only with divinity but with immortality and -- of course -- wealth. Using the material as the background here raises the Lone Ranger's status to something beyond the mere commercial. I love it. For more of Jensen's work, click here.
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| "Sign of the Times" by Tom Cawthon |
Cawthon was drawn to photography at a young age. He grew up in Tallahassee, a city that provided access to both natural beauty and the thrill of college sports. Cawthon is one of those fortunate people who parlayed his passion into a job. He worked for 40 years leading commercial designers, photographers and videographers in the corporate world. Once he retired, Cawthon returned to a more hands on role in capturing the shot.
I reached out to Cawthon to find out what it was about this image that captured his interest. I learned that he came upon the ad on the side of a grocery store in Belize. What inspired him to take the shot was the way it exemplified the fleeting but pervasive nature of advertising while simultaneously celebrating the endurance of recognizable symbols. I like it. For more about Cawthon and his work, click here.
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| "Iconic Cigar Makers of Tampa" by Darryl Goldman |
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| "Untitled #3" by Antoine Williams |
Everything about this image engages me. I love the grandmotherly figure who looks out at the camera in a straightforward manner. "Yes, I'm here," she seems to be saying. But where is "here?" In a park? At a bus stop? And why is she dressed for an entirely different season than the child sitting next to her? It's left to the viewer to decide, and that's before we get to the mask sitting next to the child.
So, the mask. What culture is it from? Why is it there? It doesn't seem to be particularly friendly given the bared teeth. Is it protecting the woman and child or does it want them to also stay away? I have so many questions -- in a good way. For a great piece on Williams and his art, click here.
Both exhibits continue at Art Center Sarasota through September 26th. For more information, click here. They are definitely worth seeing.

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