"Honor Killing" at Florida Studio Theatre -- I have missed taking the Behind the Scenes class at FST this year, but am thrilled to have time to watch this show go from the page to the stage. "Honor Killing" is a world premiere and deals with an American reporter's coverage of the stoning of a Pakistani woman by her family for daring to marry someone other than the family's choice. The topic is an interesting one, but what really has me excited is seeing the technological aspects of the show come together.
FST's Bruce Price |
"Roe" at Asolo Repertory Theatre. I have been eagerly awaiting this production since I learned the fabulous Terri Weagant will be playing Norma McCorvey (aka Jane Roe). Sarasota audiences last saw Terri in Urbanite Theatre's production of "Bo-Nita." Her performance in the one woman show was nothing less than a tour de force.
Terri Weagant |
Terri talked about the challenge of setting aside your own point of view when stepping into the shoes of a character. While she thought she had come into the production with a totally open mind, she realized she was judging McCorvey on occasion. (I am not familiar with McCorvey's background, and Terri and Jadwhani's comments about her "shifting" perspectives made me even more eager to see the show.) I appreciated her candor about the struggles of playing McCovey, whom she calls an "unreliable narrator."
An impassioned Frank Galati |
When asked to place Ionesco's absurdist play in context, Galati had no difficulty. The play was written in 1959 and deals with the aftermath of WWII. Galati said the play comes from Ionesco's belief that "there is no reason, order, logic or harmony in the universe, despite the beauty of nature." To quote Ionesco, "What is the world if not absurd?" Galati compared the all-encompassing feeling resulting from this outlook to a man asleep in his bed that suddenly disappears into the void of a sinkhole. (The audience appreciated the Florida analogy.) He noted the power of the theater to encourage audiences to look at issues in a new way.
While the discussion could have gone on for hours, the panel members had other places to be. Roeder had to dash to don her fabulous Queen Elizabeth costume for the matinee performance of "Shakespeare in Love." And for that matter, so did I, since I had tickets for the matinee. The show is a blast, and it was particularly fun to see Roeder's transformation into an imposing Queen Elizabeth wearing hands-down the best costume in the show. (For a reminder of what that costume looked like, click here to read about the costume designer brunch.)
Other theater notes: Dorrit and I took in the Asolo Rep Conservatory production of "The Rehearsal" last week-end, and I highly recommend it. It boasts a terrific set and costumes and strong performances all around in a story with a surprising emotional range. The show runs through March 11, and tickets are only $30.
This week-end's theater outing is to FST's "Constellations," the second in its Stage III series. The series is dedicated to more "challenging" shows--due either to content or form-- than those produced in FST's larger theaters. "Constellations" is a play about "an encounter between a man and woman that leads to a spellbinding journey into time and space" and falls firmly into the second category. It sounds like a great theatrical adventure.
Only one way to get famous is that you have to do something different . After that they will like you.Yours articles are the bests.
ReplyDeleteเว็บย่อลิ้ง
เว็บย่อลิ้งค์
ย่อลิ้ง
ย่อurl
ย่อเว็บ