"Thought in Mind" by Woody de Othello (2023) |
While looking at this work, a memory came to mind of being in Italy in the 1990s and seeing the occasional person talking on a Maxwell Smart-style cellphone. It seemed so crazy. Now, of course, most people wear AirPods and walk around looking like they're talking to themselves. (I'm a hold out so far.) But I digress. Othello is definitely an artist to watch. At just 31 years old, he's already been in the Whitney Biennial. (Click here to see that work.) I look forward to future interactions with his creations.
With installation by Osgemeos (2023) |
"Slow (Bag Sculptures)" by Erwin Wurm (2023) |
Wurm didn't set out to be a sculptor. When he enrolled in art school in Vienna, he had every intention of becoming a painter. But the powers that be admitted him to the sculpture department and that was that. Wurm said in an interview that "All I knew of sculptures is that they were 'black things with pigeon poop.'" He was all in, though, once he learned about the medium and realized how much latitude it gave him to create.
Erwin is best known for his one minute sculptures in which viewers interact with mundane objects (and sometimes each other) to create an ephemeral sculpture. Perhaps my most fun art outing ever was when my friend Wendi and I visited a one minute sculpture exhibit in Berlin without any idea what we were about to experience. Click here to see us in action.
This is not to say there's not substance to Wurm's work. Like de Othello, Wurm considers the objects in his sculptures as extensions of the people who own them. An owner of an Hermes bag, for instance, might be viewed as trying to project wealth and sophistication and social status. For one of his designer bag public art projects, click here. It is definitely not a black sculpture (but it might have some bird poop on it). And to read an interesting interview with Wurm, click here.
"Earth Play" by Seung-taek Lee (Dec. 8-10, 2023) |
When the work is exhibited at outdoor art festivals, it is called "Earth Performance." Sometimes it's tied to the back of a bicycle and driven around. Other times participants interact with the globe-shaped balloon, chasing it and rolling it across the grass. Over time, the Earth becomes worn and torn and deflates because the participants haven't taken proper care of the object. And therein lies Lee's message.
Born in 1932, Lee has been around the art world for many decades. He was one of the first Korean artists to venture into the realm of experimental art. He is known for his practice of "negation" and "non-sculpture." Sometimes he "collaborates" with natural elements like wind, smoke, fire and water. I'm thinking it's something you have to experience to understand. But I do get what Lee was going for when he created the misshapen Earth on display at Art Basel. Perhaps I should have looked a bit more serious in this picture. For more on Lee and his art, click here.
And with that, it's time to turn the page on 2023. May your new year be filled with friends, family and whatever type of adventures you love.
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