"WINGS: A love letter in coat form for how/a way to be alive in this world by doing whatever you want to do and owning the grace of your own inner fire." (2022) |
german wanted to include the college community in the creation of the exhibit. Two student curators joined her team. What an experience! Those curators crafted prompts such as "What do you need forgiveness for?" and "What are you currently learning and un-learning?" that were installed on posters across the campus to gather anonymous written responses. The mere act of publicly acknowledging those thoughts and emotions would be an emancipation of sorts, a way of letting go. Boxes were also set out for donations of objects for possible inclusion in the exhibit. This contribution of physical objects that had some kind of hold on the donor was an emancipation as well. The question now was what german would create with these materials.
"SEE HERE: Something of the Soul. Reckoning Mirrors engraved with language inspired by text given to artist by Mt. Holyoke community members" (2022) |
The coat in "WINGS" belonged to one student's aunt. The text embroidered on the back is the note to german explaining how close the student was to her aunt and how much she respected her. The student calls her aunt "a force of nature" and said she's been having trouble letting go of the coat since her aunt passed away. The coat, and the student's love of her aunt, are now out in the world.
I was taken with german's Reckoning Mirrors, which reminded me of the Wicked Queen's daily question "Mirror, mirror on the wall, who's the fairest of them all?" Don't we all sometimes look into the mirror and ask ourselves questions or give ourselves a little pep talk? Other Reckoning Mirrors included the words "Be Here," "Cry More," "No," and "Yes." They made me think about what I'd put on my own Reckoning Mirror.
"FREEDOM IN THE SOUL" (2022) |
Jean spotted the work first and anticipated a negative response from me to the text. It reads: "Imagining a life without kids or a husband." Jean is happily married with two wonderful daughters and some grandchildren. To her, a life without these people in it is unimaginable despite the work's exhortation. But I don't have to imagine such a life; it's what I live daily. Sure, there are times it's challenging to be on your own. But it's certainly better than being in a bad marriage. And, for me, getting out of my marriage gave me the freedom to rediscover who I am. But I digress. Or do I? I think it's fair to say that this work spoke to both of us.
Taking a step away from the personal, I've thought about the student who offered these words up in response to the prompts. Did her words come from fear of not finding the right person? Is she anticipatorily seeking forgiveness for making the choice to live her life alone? Is she "un-learning" societal expectations to get married and have a family? What does she truly want? I would love to know what is going on in her head and how seeing her words in this work of art affected her.
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