|The World Within by Humberto Calzada|
The Van Wezel was built in 1969, the same year the Fine Arts Society was founded. From the beginning, the Society has used the Van Wezel as gallery space to showcase its Florida-inspired art collection. Our tour guide was quick to note that despite the Florida theme, the artwork is not created by "sell your art on the beach" artists. Instead, the collection includes paintings--and a few sculptures-- by accomplished artists who either have a strong Florida connection or whose work features water.
Humberto Calzada is known for his paintings inspired by the architecture of his hometown of Havana. It's hard to turn down the invitation to enter Calzada's The World Within. The light is handled so beautifully, and the Caribbean awaits you. Calzada signed each portal into his dream-like world, a detail our guide helpfully noted.
|Thunder on the Beach by Ben Stahl (1976)|
|Our Angel by Craig Rubadoux|
From across the room, Craig Rubadoux' Our Angel has the look of an Art Nouveau painting. But as you approach, you realize the work is much more free flowing. The angel seems to float in a sea of color. How else could her golden hair mimic the shape her budding wings will eventually take? "Exuberant" is the adjective most typically used to describe Rubadoux' work.
Rubadoux is Sarasota born and bred and now works from his home on Englewood beach. His artwork can frequently be seen at Allyn Gallup Contemporary Art Gallery. Click here to read an article from The Observer about this charming artist.
|Pressing Leaves by Lynn Davison (1996)|
Davison's interest lies in the human figure. Davison's depiction of her subject's bodies is impressively realistic, from the tension in the woman's knee and calf to the toes of her companion's feet. She said in an interview in Gulfshore Life, "I want my figures to provoke introspection. While they're essentially revelations of self, I hope they also portray universal truths about what it means to be exposed, disconnected, vulnerable and human."
Pressing Leaves was painted at a time when Davison took a somewhat surrealistic approach to her work. The figures and setting are classical, but what are this doorframe, Japanese style screens and spotlight doing out in the middle of nowhere? Not to mention the obvious question -- why is this naked guy sitting on these books? Today her work is more personal. To read the Gulfshore Life article and see more of Davison's work, click here.
|Stravinksy by Syd Solomon (1971)|
Stravinsky is the perfect choice of Solomon's artwork to be on display at the Van Wezel. It is, after all, the home of the Sarasota Orchestra. Solomon began this painting while listening to one of the composer's works on the day of his death. The loss was more than that of a fellow creative soul. He was friends with Stravinsky's son Soulima, who also lived in Sarasota.
I learned from our docent that Solomon served during WWI in the First Camouflage Battalion, where he worked to conceal potential enemy targets located on the California coast and London. (To see pictures of the camouflage of California, click here.) But Solomon's primary job during the war was conducting aerial reconnaissance, a job that inspired his abstract art. Knowing this background does put a new spin on his work.
If you want to see more of Solomon's painting, the timing couldn't be better. Allyn Gallup has an exhibit on now through January 28. To read more about Solomon and the exhibit, click here and here.
The next time you're in the Van Wezel, take a few extra minutes to enjoy the art. There will no doubt be works that leave you cold. Art is personal after all. But there will likely be a few that draw you in. Thanks to the Fine Arts Society for sharing its collection with the public. For information on upcoming tours, click here.